Hi guys and gals,<\/p>\n
As many of you know, I started off my music career as a teacher teaching many different instruments before focusing exclusively on steel guitar. The reason steel guitar got me was because of the beautiful droning strains of notes that were impossible to create on any other type of instrument. The versatility of the instrument is beyond compare. It is the only instrument which cannot be faithfully synthesized or successfully emulated by any electronic means. This is one of the saving graces of steel guitar in Nashville today. You cannot be replaced by the keyboard player because sampling even with the most expensive and sophisticated samplers cannot capture the essence of the instrument.<\/p>\n
Many instruments can be played much faster. Many other instruments are more portable. Most other instruments are easier to maintain and tune \u2026 but the pedal steel guitar has a magic no other instrument. Is it worth going to the trouble to become a master of possibly the greatest instrument of the world? I think we\u2019d all say yes on that one.<\/p>\n
How we learn and how we have learned to play this instrument is an art in itself. Have you ever wondered why some kids who have been playing only a year or so can play incredibly well and some people who have been playing for twenty years who are brilliant in another craft, can\u2019t seem to play steel guitar pleasingly at all? Sometimes talent is wrongfully given credit for this when it should actually go to consistent disciplined practice. Ask yourself, \u201cWhat is talent?\u201d Is it the ability to focus, concentrate and train motor memory? I feel that focusing on the correct technique in the beginning of your playing and recognizing what the stumbling blocks are will keep you from playing as smooth and fast as some of the great players you have witnessed is the important factor. I see many players who have been playing for years who still pump their volume pedal mercilessly when in fact it should barely be moving at all. Why didn\u2019t they recognize this flaw when they were first learning to play? If this fact is pointed out to them, they would probably say they never thought about it or even ask what\u2019s wrong with that? (Denial) The point of this post after playing and being a teacher for over 45 years is \u2026 make yourself aware of the minute, seemingly insignificant things that make a great steel guitar player great. Watch Buddy Emmons\u2019 volume pedal and how little it moves. Watch his right and left hand technique when he plays the intro to \u201cWay To Survive\u201d. Watch, learn and absorb. I see many steel players every week come into my store and play. There are some unknowns who are great and some well-knowns who are bad. I\u2019m sure you know and have personal opinions of your own on this subject. Remember the last newsletter \u2026 just because you\u2019re famous doesn\u2019t mean you\u2019re good. You can learn from the bad as well as from the good. Ever watch \u201cCops\u201d on television? You\u2019ll see some pretty good examples of what not to do. You can watch steel guitar players and get good examples of what not to do. Remember also that unlearning is harder than learning just as breaking an old bad habit is harder than learning a new good habit.<\/p>\n
In my teaching videos, I stress the correct methods of playing and learning. Learning correctly and forcing yourself to do it correctly is the only way you can reach greatness. Watch the finest players that you can watch, watch them very closely, ask questions, buy video tapes, CDs and concentrate very intently on the aspects of your playing that you need to be aware of. The intro to \u201cWay To Survive\u201d is extremely easy to play but very few people can make it sound as good as Buddy Emmons does. What\u2019s the difference in the way he does it? Watch and listen closely and you\u2019ll be able to see it. The right hand \u2026 where it is on the string, how the picks attack and release the string, how the bar is held in the left hand, how the strings are deadened behind the bar, volume pedal technique \u2026 are a few of the things to be observed. Buddy Emmons isn\u2019t the only person whom you should observe this closely. Remember Jerry Byrd, Weldon Myrick, Tom Brumley and many other great players are worth watching and listening to very closely.<\/p>\n
That\u2019s why I offer CDs, tapes and videos. I want you to be the very best you can be.<\/p>\n
Your buddy,<\/p>\n
Bobbe<\/p>\n
www.steelguitar.net<\/a><\/span><\/span><\/p>\n sales@steelguitar.net<\/a><\/span><\/span><\/p>\n www.bobbeseymour.com<\/a><\/span><\/span><\/p>\n P.S. Blatant self promotion: Remember my Christmas CD makes a great gift \u2026 and to those of you who have it already, thank you for all the wonderful compliments I\u2019ve received. Now go to my website and order everything you can afford.<\/p>\n","protected":false},"excerpt":{"rendered":" Hi guys and gals, As many of you know, I started off my music career as a teacher teaching many different instruments before focusing exclusively on steel guitar. The reason steel guitar got me was because of the beautiful droning … Continue reading